1977, exit from IDHEC (FEMIS), The wellknown French school of cinema,Françoise Romand directed a short film Encounters... then she works as a director's assistant and assembler. Until 1985 she will be trained at this school of documentary which flirts with humor and facet with fiction. In 1985, his first film Mix-Up or Mélo Mélo (documentary-fiction) will start a career in English and a critical success in the USA. Call Me Madam, confirms his style at the border of documentary and fiction, Golden Prize Gate Award, which will lead her to teach film at Harvard (1999 - 2000). 1987, She is the winner of Villa Medicis outside the walls in the USA. 1995, the Film Center Art Institute (Chicago Museum) organizes a retrospective of her first films. In 1999-2000 at the turn of the century, she teaches cinema at the University of Harvard, USA, where in connection with her film work, she explores the ramifications on the Internet, invents the first webdoc IKitchenEye and organizes happenings on the underground scene Paris with her Ciné-Romand, whose DVD she released in 2009. Her first fiction, Passé Composé, is presented at the Week of Criticism at the Venice Mostra. Her self-fiction, Thème Je (The Camera I), will evolve for 10 years in different versions until the final engraved on DVD in 2011. In 2019 Retrospective in Turin2020, the SCAM (Société Civile de Auteurs Multimedias), awarded him the Charles Brabant Prize for all of his work. In 2021 Jonathan Rosenbaum ranked "Mix Up" among the 10 best women's movies of all time. In 2022 a new Ciné-Romand will be reiterated in Marseille following the festival Femme Méditerranée where some of her films will be screened.
From 2002 to 2015, Jean-Jacques Birgé composed the music for all of her films (Thème Je, Si toi aussi tu m'abandonnes, Ciné-Romand, Gais Gay Games, Baiser d'encre, etc.). For him, she directedthe trailer of Nabaz'mob, and reportage on Le son du vinyle, etc.
